From the beginning of the film, it shows that the urban area of Hong Kong is densely packed like a honeycomb but towering into the clouds, and the severe pressure of buying a house is self-evident. This kind of picture, coupled with some rapid and some strange music, suddenly produced a kind of Hitchcock-style trembling feeling, and the horror style of the film was initially formed.
The main plot of the story should be the bloody killing in the apartment, and it is interspersed with a lot of plot content that disrupts the chronological order. The content director deftly reverses the emotional stance of the audience. The sympathy and sense of identity aroused by the unfortunate encounter of the protagonist makes everyone who watches the film abandon their moral conscience and go to enjoy Peng Haoxiang's "Cult" feast of human flesh with the murderous protagonist. However, in order to tell a complete story, the film needs to keep jumping at different time nodes, which not only affects the pleasure of the film as a "Cult" film, but also makes the film's laying a lot of pads seem a bit procrastinating.
But I still like the film style of director "Peng Haoxiang" that tells the fate of little people through the form of "Cult" movies. The unscrupulous but creative ways of dying certainly satisfy the "bad taste" of many fans, but because of the position set by the film, it has become a kind of indifference to the indifference of the office workers living at the bottom of the society. A kind of wanton revenge, finding an excellent emotional outlet for repressed emotions.
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