It seems that an ocean current suddenly gushed out of the sea we passed through many years ago, and we followed the trail in the distant place.
Meet old friends in October 2019.
[ First Board ]
One Piece ushered in the first introduction in mainland China on the 20th anniversary of its animation serialization. Although some terms have been adjusted in order to meet the standards of our country, this introduction and the large-scale promotion of online and offline synchronization are very important for fans like me. Said to have been a rare carnival.
Of course, walking into the theater represents the influence of the film to a certain extent, and it also indicates that there will be a group of people who see it as an animation and watch the movie with the whole family. Considering that the content should be friendly to the audience, the plot and lines of "Fever Action" are vernacular and verbose, and the descriptions of the characters are also somewhat quirky. For example, Usopp said to Barrett after Luffy fell, "The captain has worked so hard for me, how can I get down"; and the description of bystanders when the character appeared "Isn't this Shichibukai XX? "This is Hai Lou Shi, and those who are touched by it will...", it is not difficult to see that this is a way of taking care of the audience who are new or not familiar with the op, there is a lovely Asahi. But it's really innocuous for the plot, and I don't think it's necessary to criticize some of the comments. On the contrary, from the perspective of taking care of the public's understanding, it is similar to the laws of Marvel and DC, which is a proof that the penetration rate of op is accelerating.
[ Big Thousand World ]
As a manga that has been serialized for more than 20 years, this is a rare thing in itself. The separation of powers in the op draws each other, the differences between biological races, the emotional and rational rules of perceptuality, continue to output a concept that is the same as before.
The author can justify himself from conception to extension and achieve the right balance between preaching and inspiration. Words in two different directions of innovation and appeal can be used on op. Oda is already a genius in my eyes.
- subversion -
When I first saw the op, I was thinking, what is a pirate?
In fact, it is a thief, and the pirate in the comics is also a villain in the universal sense.
But why don't readers like us hate them? Op itself dilutes right and wrong, and uses "thief" as the protagonist, but all it shows is the endearing side of dreams, blood, persistence and so on.
For the worst generation, do we really think they are doing evil?
Oda reversed the black and white in the real world, the navy wearing justice may not be true justice, and the thieves are not all villains, so the "irrational" that is out of line with the textbook buried my thoughts in my youth and provided it to me. Human nature and ethics have more possibilities, which is a kind of breaking and reorganization of thinking mode for children under the system of test-oriented education and collectivism.
The loyalty and separation of the characters wander in a subtle limitation, from the relationship between Garp and Roger in the previous generation to the fate of Rikby and Luffy in this generation, and extending to the Navy Pirate Revolutionary Army in "Fever Action" The unanimous union with the outside world, this sense of blurred boundaries, or the sense of human similitude, always runs through the world of pirates.
However, Da Ai stopped rendering after the monster fight. While the monster landed, everyone stood up to compete for the treasure chest. Sanji and Zoro's "treasure belongs to the captain" brought the utopian atmosphere back to reality - this is still a game In the war called contention, the pirates all want great treasures. Without courtesy and charity, the winner is still the king here.
- Fetters -
"Partner" is definitely one of the most eye-catching concepts in op. The original OST "we are!" that kept ringing in the background of the film sang "Would you like to be my partner?", and this characteristic of companionship is obvious. Since then, Captain Luffy's persistence in finding a partner and his character that you are you have gradually deepened this point. The underground gathering of the pirates in the "Fever Action" Expo, and the "worst generation" repeated by Barrett again and again, silently weaken the individual characters. Against such a collective background, the pirate world that emerges is inclusive and diverse.
Facing the panic of most of the pirates when the navy attacked, and the courageous attacks one by one when confronting Barrett,
And after that loud bang, everyone fell into the water, and the capable ones became weak, like children in amniotic fluid.
This scene seems to push everyone back to the original setting, where everyone is the same. These assimilation/elimination behaviors hide the brilliance of the individual, but instead put him/her into a word that can be summed up by generations—the pattern of the film is written here.
To say who in the Straw Hats has the largest range of ability fluctuations, it should be Usopp.
His cowardice and submissiveness is a projection of human nature and reality. In the real world, there are many people who are afraid of death, and there are also many people who brag. We can't deny Usopp's character because of this, because if it were us, would it behave similarly? Usopp's "real fight" in the regular chapter of the Merry, and many later reliable actions (the Judiciary Island shooting the flag, Tokushima playing sugar, seeing and seeing color awakening, etc.) and the bloody spirit of not admit defeat in this film These "moments" all created Usopp's ability to regenerate the Jedi of God, and these "moments" penetrated Oda's view of the dimension of human beings.
Because of this multi-dimensional and multiple, it seems that no one in the op is an absolute sinner, he/she has his/her own valid logic and views on the world.
Contradictions come from differences in positions and interests, and the source behind them is mostly the beliefs of their owners. The first concept of Luffy's sent partner maximizes the bond spirit of the op core. Here, everyone has their own responsibilities and awareness, and no one can be strong enough to move forward without a partner; everyone brings their own abilities and dreams to achieve mutual fulfillment with their partners.
This bowl of chicken soup doesn't seem to be conveyed with a lot of ink in the previous regular chapters, but the interesting thing is that it is very obvious in this film. In fact, Barrett's ideas are not empty ideas, they exist in our society as well. As a creator, you can put forward this hypothesis: whether the XX concept is better than the ZZ concept. Then Barrett's defeat also announced the results of the experiment on behalf of the author: in the op world, teamwork over solo.
[ Great Ambition ]
If I want to say what I saw in "Fever Action", in addition to the exciting fighting scene, there is also the author's idea of "Utopia".
in that place—
Everyone does their part (Usopp: "Assists are the home of snipers");
There is no absolute right or wrong (Smog's distaste for the Demon Killing Order led to his union with the pirates);
All thoughts and voices can exist there (Barrett keeps saying the strongest argument, Luffy: "It's your thing to be the best, but you can't hurt my partner.")
Luffy cares about the experience of walking with his partners on the voyage, and Barrett pursues to cultivate himself to be the strongest and then succeed alone. I saw the embrace of dissent. "Fever Action", even in the entire op, never thought of which voice was regarded as the truth, so all collisions began to occur.
Perhaps it is only after people have experienced collisions and hardships that they can develop wisdom. The accumulated wisdom reaches the distance, that is, compassion. Compassion is willing to let people understand sentient beings and love souls. In the film, Roger, the only person we see in the distance, reveals his compassion through Garp's mouth - "Is there anyone else who accepts him like Roger?"
The end-credits egg Roger discarding the eternal pointer of Raftan Road also proves once again that he and Luffy have a commonality of caring about the process. Although the picture is full of fights, the themes of teleportation seem to have always been love and peace.
[ Practicalism ]
After Luffy got the eternal pointer, he broke the pointer decisively. This operation that broke the jaws of other characters but seemed reasonable is really too Luffy. Op is an adventure that absolutely renounces theory and rhetoric and celebrates process and action. Luffy, who almost spurned shortcuts, walked towards the Sonny with a sublime sense of Truman walking towards the gate of the unknown territory in "The Truman World" in my eyes. Purely straight, this is again the perfect depiction of the ideal in the author's mind.
The reason why drama is drama is that it is a spiritual carrier of the creator, but it is only expressed in a visual way. Comics are not limited by the feasibility of realistic conditions, and the creators imagine various tricks. This kind of expanse evokes the heroism in my heart, which must be one of the reasons why it feels so good to watch this film.
[ parallel world ]
Op itself is a blend of cultures, especially in Operation Fanaticism.
The grand event started, and pirates came from different sea areas. Ships and ships, and people and people did not have the same major path. You can't see "all the people" here. At the beginning of the film, when the Straw Hats are walking and having fun in the market, the corresponding picture is the name list of the staff and workers. This is not a big celebration for everyone behind this great work. The 20th anniversary of this World Expo celebration, and Barrett's 20 years in prison, is a fitting metaphor for generations and time.
The annual rings flicker, the bubble lifts off, and our world is completed.
It's really hard to tell whether this is an unreal sight or a real twenty years.
[Alternation of Generations]
It seems logical to turn the film back.
Two voices in the final black screen
"It must have been my son who found it"
"It's my son"
"How can you have a son"
"I will have"
If I reasoned from time and clues, I really can't help but think that these two people may be Roger and Whitebeard.
And this dialogue has destined the light of future generations to be ignited.
This Pirate Expo is like a party for young people. The most evil generation attacked one after another when they first met Barrett, full of vigor and rebellious spirit, like a declaration of the times.
The midnight of the era is the moment when Barrett defines it as a weak person with insufficient strength and perseverance;
What broke midnight was the moment of solidarity that belonged to this group of young people at the end of the film when they dealt with a naval attack so that Luffy could set off in a single boat.
As a young man myself, I have received a lot of courage here. Because of the age, it is naturally summarized and classified by the "post-90s" and "post-00s" in people's mouths, and is involved in a stereotype of the old and the young. Whether those piles of "post-90s/post-00s can't bear hardship more and more" is an inaccurate statement, which requires us to strike out to refute and prove it.
At the end of the film, Luffy is on the road again accompanied by his brothers.
After the filming, I received a photo of my sister from the school sports meeting.
There are always people fighting in their own field, both inside and outside the play, where ambition and reality intersect beautifully. Let me believe again that we are, indeed, on the same sea.
As foreshadowed twenty years ago, "We are, we are on the cruise"
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