I am very fortunate that Jia Hongsheng starred in "Suzhou River" after "Yesterday".
It's good that Ma Ma died. While he freed himself, he also freed Jia Hongsheng, who was worse than death in "Yesterday". The shadow that "Yesterday" brought to me at the beginning finally disappeared with the sudden end of the motor's life.
Jia Hongsheng should be regarded as the most typical true actor, right? Even always feel that all the roles he plays should use his real name. Ma's sadness is Jia Hongsheng's grief, Ma's hesitation is Jia Hongsheng's hesitation, Ma's viciousness is Jia Hongsheng's viciousness, Ma's corpse is Jia Hongsheng's corpse - Zhou Xun lying next to him is really a sight, even if the egg yolk on her face is like wax paper, she is obviously not one dead.
The bastard in "Yesterday" is real, but the motor in "Suzhou River" is fake. It really makes people feel a little regretful. Why is the truth so ugly and arrogant, absurd and weird, while the false is so graceful and distant, blurred and poignant? The truth is a fly that flies into the mouth, and the falsehood is a pill to soothe the soul.
However, taking medicine is better than eating flies. I still thank Lou Ye for using his so-called non-liar camera to concoct this K-fan-like film, soothing countless hearts like me, which are vulnerable to self-deception.
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