At the end of the story, Luo Ming said as usual, "I know you love her too." Ma Jianling smiled, "Maybe, we love her in different ways." The sound of the piano and understanding are in this smile.
Friendship, love, and even being intoxicated by the hot wind, the unique sadness of that era is all green and green due to the simple emotions of young people. It is a piece of sugar that cannot be taken away in the long and cramped time.
Two urban teenagers went to Phoenix Village to jump in line and brought Balzac to the little tailor. Later, she went abroad and married Balzac. When parting, Luo Ming said, "I love you so much, you leave without saying a word." Ma Jianling was still standing on the hillside far away from them, and there was not a single flower to send beside her; the little tailor kissed Luo Ming , said to tell Ma Jianling, let him be good.
The story is not unconventional, fresh and moving, and filters such as "juvenile", "midsummer" and "love" are added to the treatment of the background of the times, which makes people feel nervous and usher in a beautiful scene; at the beginning, Ma Jianling played the violin——Asset The four olds of the class, the captain asked the name of this piece, he was silent for a long time and said: "Mozart..." Luo Ming quickly bluntly said, "Mozart misses Chairman Mao! Yes, the name of the song is, Mozart will always miss Chairman Mao!" Too It's cute, just as the three of them used a sewing machine to start a motor to fill the captain's teeth. Three pairs of big eyes, sly lights illuminate each other, and on the basis of curing the captain, they will kill him to the greatest extent. This is also to maintain friends.
There is no good luck, no longevity, and no spring full of blessings. The whole story is full of tenderness and regret, but nothing can move me more than this.
I learned that this is Dai Sijie's first film work. He was also a writer before. This kind of cross-line operation is now common, and most of the endings are unpalatable. I have also read some film reviews, some people think that he is slightly inadequate in the overall layout and the dispatch of the materials, there are too many things to say, but he is not skilled enough in how to express them, and many of the materials are ghosts and ghosts, just show his head and don’t know what to do. trace. I thought to myself that this might not be the criterion for judging literary films. Literary films are about emotions, and aren’t emotions just vain and futile? It’s good to tease once you have clicked, and the blank space is the habitat of the soul; every lens language goes straight to the theme, which is to solve the case.
And the most important lore is actually three actors, I Ye, Zhou Xun and Chen Kun (ranked in order, selfish). To say that love is too embarrassing, to be fascinated by Liu Ye (Ma Jianling)'s eyes at every turn, is irreversible. In the later period, they became foreign. Chen Kun (Luo Ming) put on his glasses and combed his hair. What a gentle scum he was! In an instant, 10,000 A380s roared past, and the tsunami covered the sky.
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