Almost every scene of Yu Beibei's scenes is good-looking. I think this part is the rhythm of the atmosphere is appropriate. Outside the Beizhan Theater, Ma Xiaojun's group photographed the old lady. Yu Beibei was sent by Liu Yi to hook up with a girl, while the men were eagerly waiting in the distance. Looking at the perspective of the man and the woman, switching back and forth, just changing the scene. The boy's eyes got closer at first, and the girl stirred the air in front of him. The boy was pushed away again, and became anxious, and the woman's posture and appearance became blurred. The duration of a single shot itself is not much different, and the scene difference implies the time difference within the shot. Although some time is omitted, the music in the painting is not cut off, and the degree of intimacy and dream is just right. The last long shot follows Yu Beibei and the other girl from a distance to the front. The sunlight draws the silhouette of the person out of the golden border, and the men and women are in the same frame. Although the weather is also used as the guard of honor for boys and girls to meet, fortunately, it is less revealing than the cliché. When the girl came to the front, when she was really on the battlefield, the men were all timid. They deliberately turned their faces away from Beibei and smirked, pretending that they didn't care that much about the new acquaintance. They had both a juvenile mentality and a strong father's power to obey the people and inherit. Psychological twist. What followed was Ma Xiaojun's "My town, Dongdan town, Xidan town, I'll control your artillery bureau", which further strengthened the same theme. As far as Beibei doesn't screw up, she is a fighting hero, but the victory never belongs to her.
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