A quiet dawn for the blood of a girl

When we talk about the emotional effect of the various contrasts set in the film on the audience, we cannot ignore the role that music plays in this film. Throughout the film, the music is used very concisely. The epic and tragic theme music appeared at the beginning and end of the first and second episodes. When that theme music appears in the title, it just tells the audience that what you are about to see is a tragic, epic story, but since the audience hasn't seen the specific content of the story, his acceptance of the music is calm. But at the end of the last episode, when the audience saw the girl in red counting, thus forming a sharp contrast with the fate of those girls in the past, the impact of the mournful horn sound on the audience's emotions was irresistible. The other place where music is used is in the super-narrative time and space of the five girls; memory passages. The music reflects the characteristics of these five girls with different motives and the timbre of different instruments: Galia's is as mentioned in the above paragraph: it is the light music of the Soviet musical film; Lisa is the Russian national instrument grand piano (representing the rural music). ); Genia is a three-step dance for a wind band (symbolizing modernity and fashion); while Sonia's section uses piano and cello, and its tone is decidedly tragic, especially when the cello is followed by a It's tragic is heightened when she comes behind the piano, because everyone knows she's Jewish.

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