Gossip, talk about my understanding of the movie Xu Laoguai

Deanna 2022-04-20 09:02:34

Because I have watched this movie about 20 times, I am familiar with many details. But it is these details that pile up the entire building. Details determine success or failure!
There is such a scene, Zhou Huaian, Qiu Moyan, Tie Zhu (the thin bearded bald Yuan Xiangren), and He Hu (the fierce-looking bald non-commissioned officer) in the room to discuss how to deal with Dongchang's countermeasures.
Around the table, Zhou Huaian was in the middle, and a few people surrounded him. Zhou placed several cups to simulate the structure of the guest rooms in the inn.
Zhou: This is a black shop. There must be a secret passage, everyone will go out together tonight to find out. (To the effect, the following dialogue is the same, but it will never distort the original intention of the creator)
Qiu: Eunuch Jia's room is a dead corner, only the door has no entrance.
Zhou: (uttering two words without hesitation) I'll go!
You see, just these two words, Zhou Huaian leaves the easy things to others and the biggest difficulties to himself, which fully highlights the true character of the knight. This dialogue is short and concise, and I like it first.
Zhou Huainan and the others were deciding to go deep into the tiger's den to explore the secret way, while Eunuch Jia and the others were not idle, and decided to go to Zhou Huaian's room in the middle of the night to find out.
There are also exquisite arrangements for performances and plots to present to you.
Eunuch Jia sneaked into Zhou Huai'an's room, his figure was really shameful, and he sneaked in from the skylight. A bad guy is a bad guy, and his thoughts and methods are always shameful.
Zhou Daxia is different. Although Zhou Daxia is also spying on the enemy's situation, but he "pushes the door in" in a "dignified" manner. Although he is light-handed and guards secretly, his demeanor, posture and language are not obscene, and he is just right. . A gentleman is a gentleman!
It should be said that the arrangement of the plot and performance absorbs the advantages of traditional stage drama. It is exaggerated, but expressive.
The martial arts in this movie were the most restrained in the new wave of martial arts movies at that time and even later. In the film, except for Qiu Moyan who flew up the cliff to fight against the three major heads of the East Factory with the lightness of the ladder, and later flew down from the cliff and killed dozens of cavalry like a trapeze, it is exaggerated. Most of the other wonderful moves are "room wrestling", the movements are varied but not large, and they are all theoretically feasible.
Let's talk about it here for now. . .

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