The whole drama is a little dull, the progress of the plot is a bit slow, and there is no climax.
The impression of the picture shows the atmosphere of Hong Kong in the 1970s, but it has a shape, but it is not vivid, and the picture always feels a little less flavorful.
The venue and props may have been restored to the 1970s, but both the color tone and the breath of the characters are too fresh and lack historical memories.
I like Donnie Yen very much, but he failed to perform the arrogant and powerful aura of the lame man. The good news is that he finally got rid of the shadow of Ye Wen's actions.
Andy Lau's Lai Luo still can't get rid of his consistent performance style, full of the "Liu Jianming" feeling of infernal affairs.
The director wanted to show the brotherhood of the two, but I couldn't feel it. What impressed me the most was the contemplation of the last two while smoking on the rooftop.
Yes, the biggest flaw of this play is that the background music has no sense of substitution of the times.
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