The main storyline is well-organized without any breaking points, but it has done a good job in driving emotions. Various expressions of the villain's disregard for human life make people very much expect the protagonist to complete his revenge, and it is almost impossible to ask "Is this person real?" Damn it".
Emotional lines are weak. One may be that there is less explanation for what the male and female protagonists want to do after they meet. If there is a foreshadowing in the early stage and it is done well, the scenes that brush shoulders in the middle can have a fulcrum, and it is easier to convey regrets to the audience. The final parting scene may have been more memorable; in addition, there is not a single point that can reflect the taste of the male and female protagonists, which leads to the anxiety and anger of the male protagonist and the reluctance of the female protagonist. It basically depends on the actors Relying on performances to reflect, lack of plot support, and it is not easy to substitute for most audiences.
Originally, the screenwriter should have wanted to use the emotional line to set off the main line, but he did not do it properly, but instead dragged down the rhythm of the whole film by the interspersed male and female protagonists.
Just a summary of the script: the branch line was not done well, and the impact on the rhythm was a flaw, but the emotional rendering of the main line was in place. As a low-cost film, it is not easy to do a good job, and it is worthy of praise. But it was a pity that the whole thing could have been done well by changing the details to make the film even better.
In addition to the script, the casting is good, and the actors' acting skills are basically online. Especially when the plot is not full enough, it is not easy to rely on the performance to make the audience participate in the final parting scene, which is a bonus.
Many storyboards are also designed, which is a bonus.
Shooting is basically OK.
All in all, I don't think it's too much to give 3 stars.
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