Maybe the director found Mongolia because it used to be a huge and powerful empire, but will today's Mongolia be Russia's tomorrow? But for modernization or the development of the times, no one can stop it. Even if you miss it, you can't get it back.
The montage style of the Soviet director is fully reflected in this film. Sergey, who pushed open the door of the ballroom, saw a dilapidated home.
At the beginning of the film, close-ups and big vistas appear alternately, placing real people in a huge wilderness, which is beautiful.
The dream of meeting Temujin is also very beautiful, but in my opinion, it is not as good as the scene that passed through the TV later.
My favorite character in it is Bayatu with a red umbrella. Is he a portrait of today's Mongolians? Or is it not just the Mongols, but all those who are frustrated, who have lost their spiritual world? Wandering in the wilderness...a very magical character!
The ending is the most interesting, it's like a flashback. And the TV clearly shows Gorbachev and Bush Sr.... Then, the final narrator is the child who has not yet been born, at some point in the future. The director probably hopes that people will remember the year 1991 in the future.
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