This film "brings a bright light to the dark Chinese low-cost film market. The language of "Stone" is completely cinematic and audio-visual, rather than novels and prose that Chinese films are good at and hold firmly. Even poetry' traditional paradigm. It deliberately invokes the dialect's special sense of humor, and it's all about small-person comedy in a turbulent metropolis, all with dense and vivid flashing details. Chinese cinema needs more Ning Hao. The significance of "The Stone" to the Chinese film industry is definitely greater than the value of the film itself. Regardless of the artistic advantages and disadvantages of the film, the spiritual outlook presented to the audience by watching the film alone is a powerful and vivid feeling of life. ; This kind of feeling cannot be obtained by means of money, fame, qualifications, political achievements, marginal themes, etc., and these impetuous terms are covering all aspects of Chinese films, forcing ordinary audiences to gradually become more and more familiar with Chinese films. Far away. "Crazy Stone" is a purely entertainment commercial film, it does not want to express any overly profound themes, it is just for the pure entertainment of the audience. In contrast, Chinese movies have been quite lacking in interest for a long time, the film People's congresses rest on their laurels, and most of them believe that artistic quality is the only criterion for films, while largely ignoring the industrial characteristics of films. Over the years, only one Chinese film, Feng Xiaogang, has been able to launch films that meet the audience's taste in a timely manner, and exchange low costs for big profits. Facts have proved that China already has no shortage of talents who can shoot high-quality artistic films, but what is lacking is talents who can grasp the market context and make successful commercial films. Don’t think that commercial films are better than literary films. It's not that simple to make a commercial film that audiences will love.
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