Song of the Armored and Salome

I have always agreed with Hong Yejun's words, China is not lacking good actors, but lacking good screenwriters. "The Wind" was adapted by Mai Jia himself. Although he said that he didn't know who the old ghost was in the movie was a bit hypocritical, but the film basically supported a suspense type film. The actors are especially amazing. Not to mention Zhu Xu's old man, Wu Gang and other actors, or Liu Weiwei's cameo appearance, they are all bright spots. It is Li Bingbing and Huang Xiaoming, who have always felt that they have face but no acting skills and lack of substance. Because of the great breakthrough in acting skills, they also mentioned Take the overall level of the film higher. Zhou Xun didn't say anything, she was born to eat the role of acting, and "The Wind" was just doing her homework. The interaction with Li Bingbing and the final monologue were very emotional. The most praised is Su Youpeng, who is almost reborn and completely washed all the previous roles, which can be said to be subversive. Although the scenes are few, they are quite in place. As for Yingda, Zhang Hanyu, and Wang Zhiwen, all of them have their own advantages.

I don't think the film as a whole is inferior to Paul Fairhoven's Black Book. The plot can be considered thrilling and compact, and the bright ending at the end is too flattering, but if there is not even a ray of light, then Qiuzhuang Villa will be gorgeous and gloomy. The torture of the forced confessions in the film, in comparison, the PP of the Danes who swung the steel ball whip 007 is really insignificant, too merciful. Of course, the film is not too explicit, usually showing the verbal coercion of the torture tool and finally the screaming sound effect or directly giving a close-up of the victim's face. However, the Chinese people are the most powerful in YY. Especially the suggestion of Adjutant Bai's iron chair, the intuition of Wu Brigade's poison acupuncture and Gu Xiaomeng's association of a rope, the part that uses his brain to imagine completely caused the effect of chills and even extreme chills. "Cinema" magazine introduced the topic "Wind", and spent a lot of space introducing the cruelty of torture tools, but the tone was extremely frivolous and ambiguous. It seems that torture is a kind of enjoyment and watching becomes an appreciation. After such a collective unconscious double harm to the body of the revolutionaries, I feel that "The Wind" is really not suitable for children, and at least those under the age of seventeen should refuse to watch it if it is classified abroad.

Outside of the story, always trying to find one or a few hints. Several suspects entered Qiu Zhuang for the first time, and a blond woman was teaching a team of Japanese soldiers to sing "Song of the Armored Soldiers" in German. By the way, I was really excited when I heard this song. After that, there is also a shot of someone walking through the chorus, and "Song of the Armored Soldiers" continues, which seems to be a dramatic eye. But I still can't think of the role of this detail. Is it a hint? Outside the frontal battlefield where the iron is rolling, how dark is the hidden front? Also, the line of Li Ningyu's underground party boyfriend as a drama actor: Why are you looking at me with your gold powdered eyes? It's Salome. Is this another slap in the face of "Li Ningyu is an old ghost"?

In addition, at the beginning of the chapter, the underground party Liu Weiwei shot the traitor Lao Duan in the head, and my heart was still dark. Sister Shangguan, you really avenged Brother Milong.




This article is also made of iron blood, id silver shark

View more about The Message reviews