The audience was full of parents with children, and a child behind me had the same voice as Huang Taotao, laughing all the time, but I didn’t find it noisy at all, because their presence and the movie were almost integrated. I'm not very sensitive to children's jokes, but there are a few points that I don't care about. The movie has upgraded and localized the American-style family family talk, and turned it into a Chinese-style forced marriage. It's just a cartoon, why bother? Crudely demeaning nonmarriage is followed by an empty dogma that promotes returning to the family. In fact, isn't it the same trend in recent American animation? Can this go hand in hand with the liberal democratic pluralism they also believe in? In fact, if you think about what a commercial film is, you will understand. Another point worth mentioning is that, following the trend of the American style, it is the first time that a domestic animation film almost blatantly appeared as a gay couple?????? Finally, I pay tribute to the students of key animation. ??????
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