*Louis Kahn's illegitimate son visits his father's building decades after Kahn's death Kahn's son wears roller skates and dances with a sense of ambiguity against the backdrop of the Salk Institute's clean, one-piece concrete building Knowing that it is the solemnity of the building, or the pure color picture brought by the monotonous gray, or Louis Kahn, who has a wife and daughter, but makes the other two girls think about it, and whether this man is proud of his father's achievements or himself. The unease of the identity of the bastard is indeed the bastard who is dancing at the moment looking for the answer. At this moment, I feel mixed feelings, but at the same time I feel that this picture is extremely holy
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