Option Attitude and Curatorial Theme of openness. About the reorganization of the three parts of designer / maker / user. Contextualization of Art: Against over-interpretation, we should consider the ways and paths of artistic value in non-aesthetic systems.
■ "(Fifth Symphony), if you have heard it once. Or you have looked for it, although you already know it, you must listen to it again. Although you already know it well, you must Look again. The existence of works of art can be a good illustration: what nature cannot do, humans can.”
The importance of research thinking, viewing the exhibition from an inspection perspective and analyzing the context of the exhibition .
■"I'm not going to leave because I'm angry, I'm not going to leave because I'm frustrated, I'm going to leave because I can't stand it."
"I quit because I couldn't take it anymore."
■"You'll rarely see, there are The architect will present the material in a spiritual way, he is very concerned with the sense of nothingness, he is very concerned with the silence, he is very concerned with the mysterious light. Those are not conventional elaborations, but they are what we are fascinated by, and he Something to discuss. Everything is alive, in a kind of samsara. If you walk into silence, you can hear his voice." - BV Doshi (India)
above on Indian Institute of Management. Namely the building in the poster.
■ "When the road came back, he finally found his way - to design modern buildings with the feeling of ancient ruins at the same time."
"When Lou went back, he finally knew what he wanted to do, build modern buildings that had the feel and presence of ancient ruins."
An infusion of classical architectural ideas from modernism to postmodernism.
■“I hope my final thoughts go back to the works that the architects of the past have done. I have always been like this before; I am like this now; I will continue to be like this in the future. This is the essence of new life. "The
future represents the unknown, a new cognitive, emotional and aesthetic experience based on history. is the ablation of the inherent boundary. Create an emotional link between the museum and the audience; give separate objects clues and context to form a narrative.
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