Saruman the white robe, the twin towers in his mouth, is the magic tower of Isengard and the magic eye tower of Mordor. The first part is the opening chapter of the trilogy, and the overall tone is to suppress first, the happy life of Shire in the early stage, and the slightly exciting pursuit of the Nazgul in the middle stage was soon overshadowed by the beauty of Rivendell. But the more lighthearted and joyful these plots are, the more mournful and confused it is when Gandalf and Boromo died in battle and the Fellowship of the Ring fell apart. The second part, as the middle part of the trilogy, must be a link between the previous and the next. It can't let the audience blindly suppress, because the continuous suppression of the two parts cannot have the effect of attracting the audience to watch the third part. A better way is to give the audience hope and arouse expectations for the third part. Therefore, the main tone of the second part is to promote first restraint. The second part begins with the scene of Isengard's violent soldiers, that is, the wicked power of Saruman and Mordor looming over Middle-earth. Gondor was too busy to take care of himself, the king of Rohan, known as the kingdom of hussars, became demented, the prince died in battle, the dragons had no leader, and there were internal and external troubles. Who will resist the power from the twin towers? At this time, the characters in the play and the audience are all depressed. But with the return of Gandalf the White, the spell of King Rohan removed, and the traitor driven out, there was hope. Although Rohan was too busy to take care of himself, the king was full of frustration and chose to retreat to Helm's Deep; The twists and turns of the plot also made the audience's heart that had just been put down again raised: Helm's Deep has a big hidden danger, the fallen but still wise white-robed Saruman has a way to break the city, the army of strong orcs is overwhelmed by tens of thousands, and Rohan has only Three hundred people defended (although the elves came to help); the tree people chose to escape, as always. And this leads to two wonderful episodes. First, Merlin and Pippin worked hard to let Treebeard witness Isengard's tyranny and Saruman's depravity, arousing the anger of the Treants, storming Isengard and flooding the mage tower. Mordor's strong assistant, the magic cave, Isengard, was finally put out the magic fire. On the other side, it is the return of the wonderful Gandalf, and I am undefeated in the East of the Sunrise. . . No, it was to retrieve the Rohan Hussar. When the two thousand Rohan hussars charged down, they were like the dawn in the background, a new force, a light that illuminated Middle-earth. At the same time, it also symbolizes that the darkness will eventually pass, and the light will always come. The defensive battle of Helm's Deep and the fortified battle of Isengard, the Rohan hussars and the tree people became the "striking soldiers" that broke the game. Coupled with the plot of Frodo, Sam and Gollum interspersed in the middle of the film, the audience can see that Frodo is tortured by the Lord of the Rings, conflicts with Sam, and Gollum is immortal, which further arouses curiosity about the third part. . Overall, the second one is more likable. Because the first part started, it was relatively depressing; when the third part ended, it was very frustrating to go their separate ways. Disappointment; only the second part uses a little climax to arouse hope after being depressed, twists and turns make people even more depressed, and then a very happy climax makes the audience excited, full of energy and joy when they walk out of the theater. As the second part of the trilogy, The Two Towers has played a very good role in linking the previous and the next. It filled a few holes in the first part and dug some holes in the third part. The plot is full and full, and the main tone is happy. It's a fairly high quality movie.
View more about The Lord of the Rings: The Two Towers reviews
