Finally decided to relax without moving my brain, I just wanted some plasma stimulation. This time, Quentin has meticulously adjusted to the "cool" whether it is the appearance of the shape, the lens and the color, or the inner part of the plot, characters and conception. In fact, I really like this one, even if it is just packaged in a pretentious way, it makes me feel that the movie is very sincere and exquisite. Fighting skillfully, in the fast cuts and freeze-frame close-ups, the sword light is dazzling, and the blood is bursting, in addition to being enjoyable, there is also pleasure. In this blunt posturing, Quentin's cold humor has just the right amount of flat comedy. In the development of the general trend without any accident, there are some unexpected small accidents, so the spring-like or loose or tight rhythm in the plot allows me to devote myself naturally.
Uma Thurman's style is actually not to my taste and aesthetics, but, under the modification of Quentin's personal affection, Thurman's outfit surprises me occasionally. Her figure is very slender, but fighting is not at all sloppy, very neat and refreshing. After careful observation, I found that the lines on her face are very handsome, and the high-definition picture texture makes her skin very attractive. Therefore, in the film, the charm of this woman is not diminished in the slightest under the coverage of the tragic past, but in the dashing and ruthless acts of revenge, it is more prominent.
The weird thing is that, within a week of watching this film, the guy playing Bill killed himself in a weird way in Thailand. A friend smiled and said: It seems that you should watch less movies in the future to avoid death.
View more about Kill Bill: Vol. 1 reviews
