Movies that can't be analyzed

Lowell 2022-04-21 09:01:02

You can say that you are paranoid about success, paranoid about failure, and you can analyze many, many, but what I want to say is that this film is best not to analyze. The most successful thing is not because of various reasons, but because of that This kind of beauty with violent aesthetics, quietly appreciating this kind of beauty, is like a drug poppy, aside from other things, it is a kind of dangerous beauty, if you insist on analyzing it, it is like taking the dross and discarding the essence.

The most beautiful scene is the domineering of the protagonist when he dies. Although he is dead, he always feels alive, which is extremely shocking.

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Extended Reading
  • Dessie 2021-10-20 18:59:05

    The social significance of the history of gangsters is to use the brilliant history of the bosses and the final lonely ending to profoundly reveal: sooner or later they will be paid back. Al Pacino blasted out the essence of the whole film. 8.4

  • Ludwig 2022-03-24 09:01:02

    This movie almost laid the foundation of the entire American gangster film, and even affected subsequent Hong Kong movies. Even the tribute and setting can be seen in the vulgar novel. Al Pacino’s interpretation simply incorporates the essence of American patriarchy in the 1980s into the role of Tony. Of course, Miami is the epitome of American desire and even lewd dreams. American psychology is really interesting and vulgar. , Ambition, loyalty, money power, love, drugs, crime. It seems that by mixing all the elements together, they can call their ideas romantic, which is very incomprehensible and reasonable. After all, how can a nation built on sin and black money be able to breed a noble and proud nation Well, the so-called American romance is nothing more than Artificial Climax that is a mixture of lust, extravagance, arrogance and ignorance. (It’s a miracle that Tony didn’t die of overdose in the end. It’s really too drama to sprinkle and smoke drugs like flour)

Scarface quotes

  • Frank Lopez: Elvira! Baby! Where've you been? It's 10:00, honey, I'm starving!

    Elvira Hancock: You're always hungry. You should try starving.

  • Tony Montana: Look at that, a junkie... I got a junkie for a wife. Her womb is so polluted, I can't even have a fucking little baby with her!

    Manny Ribera: C'mon, Tony.

    Elvira Hancock: You son of a bitch!... You fuck!

    [throws wine in Tony's face]

    Elvira Hancock: How dare you talk to me like that? What makes you so much better than me? What do you do?

    Manny Ribera: [trying to dry off Tony's clothes] Don't worry.

    Elvira Hancock: [as shocked restaurant clients looks on aghast] You deal drugs and you kill people. Oh, that's wonderful, Tony. Real contribution to human history.

    Tony Montana: Go ahead. Just tell everybody. Come on.

    Elvira Hancock: You want a kid?

    Tony Montana: Tell the world.

    Elvira Hancock: What kind of a father do you think you'd make?

    [Tony tries taking a swipe at her]

    Elvira Hancock: Who's gonna drive him to school in the mornings? Are you even gonna be alive by the time the kid goes to school?

    [Tony glowers at her in rage]

    Elvira Hancock: You don't even know how to be a husband!

    Tony Montana: [snarls] Sit down before I...

    Elvira Hancock: [as Manny and guards try to calm her down] Do we ever go anywhere without having 600 thugs hanging around us all the time?

    [sobbing:]

    Elvira Hancock: I have Nick "The Pig" for a friend. What kind of a life is that?

    Manny Ribera: Come on.

    Elvira Hancock: Can't you see... what we're becoming, Tony? We're losers. We're not winners.

    Tony Montana: Go home. You're stoned.

    Elvira Hancock: I'm not stoned. You're stoned.

    Tony Montana: Get her out of here!

    Manny Ribera: Come on. Come on.

    Elvira Hancock: No! No! I'm not going home with you!

    [sighs, vainly trying to brush her hair back]

    Elvira Hancock: I'm not going home with anybody! I'm going home alone. I'm leaving you. I don't need this shit anymore.

    Manny Ribera: Okay, I'll walk you out.

    [tapping Tony on the shoulder:]

    Manny Ribera: I'll take her home in a cab.

    Tony Montana: Let her go, let her go. Another Quaalude, she gonna love me again.