The group scene that is getting better, the rhythm of the camera music and the performance styles of the actors all have a three-point elegant and playful theatrical tone. Of course, the story is indeed a joyous "game" with repeated horizontal jumps.
Daniel Craig's British style didn't let me naturally integrate him into this American-speaking story at first, but as the aura of a famous detective spread, the design full of drama was pulled up. The confident and casual British humour is no longer incompatible, it has become a tightly rhythmic harmony dance. Of course, the real protagonist is the only serious-faced Marta in the whole film. Apart from the funny vomiting setting, the slightly forced emotional interpretation firmly holds the plot and the audience's hands to the doughnut in this game. The center is moving forward, so relatively speaking, Ana de Armas is obviously the best performer, and the others are limited to the scenes and cannot avoid the facialization of the group drama. As for Chris Evans... I think it's a little too handsome, with a white and rich boy style and a bad smile that he can't hide all the time, I kind of want to rub his face and apply something, sometimes too much Being handsome is not necessarily a good thing, eh.
On the whole, the film has no problem on the basis of its own play, and most of it is divided into the enjoyment of coherent transformation and enough aftertaste, and the long-lost immersion.
The PS heroine is actually a giant projection in Blade Runner, and this film really suppresses her appearance level.
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