【Movie】15049[10.21] "Inside Out"

Once again I have a different feeling about a movie than the mainstream media, or it means that I have been reduced to the point where I pursue fast food culture as much as the audience of moviegoers, and it has become like a gray emotional console in a movie. , the feelings have become a little numb. Or maybe it's because I've watched a lot of movies, and people are getting more mature, and I no longer have the innocence that I can easily be moved by colorful cartoon pictures. Whatever the reason, this movie has been clearly defined as a movie that didn't really appeal to me from the trailer to the feature.

The entire art style of the film is clearly set at a younger age, but at the end he discusses a slightly complicated psychological issue. Although this mix and match is balanced by reducing the number of emotional villains, it makes the movie audience The location is very unclear.

The movie is very interesting. It creates 5 emotional villains to represent 5 different basic emotions. It defaults that all emotional creatures are dominated by these 5 villains in their brains. It is simple and clear. It is a successful logic to decompose it into different individual presentations. But just as people cannot be simply classified by blood type, constellation, and zodiac, with age, the content of life becomes more complicated, and we no longer simply show a single emotion, but more of a variety of different Emotions are mixed, so there will be conflicts in the brain over and over again. The little people will fight over this, but in the end, they will grow up together with us, and understand that complex integration may create a complete life first, and everyone will stop pursuing a single autocracy and move towards coexistence. This is what the movie is about Such a story.

This film has a good cornerstone, but the script is too conservative. The ending was already guessed at the beginning, and the low-B villain design also alienates the adult audience. In the end, when I looked back, the rambunctious and poor mouth completely overshadowed the movie's many very subtle ideas about character building and memory formation, which left my impression on me. In the end, it was the self-sacrifice that Bing Bong, who had fantasized about, made a self-sacrifice to push Joy out of the abyss. The original dream that we have forgotten for a long time is a critical moment that may bring us back to the original result, and it is the result that is moved, but it may become the most dramatic turning point in our life.

The movie wants to have both form and spirit, but for adult audiences, the form is much more than the spirit.

Feeling general, can still recommend, not collection.

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