postmodern landscape

I watched the movie when it first came out, and relived the classics of Luc Besson during my travels... Besson is not a betrayal of the French film tradition, but a reasonable game under the space and rules of Hollywood. The role of the film is very good. Meaning, for example, the president of the United States is black, and the aliens are all black. This is a compromise to the black movement, but it also emphasizes Hollywood's contempt for black people; the priest is the liaison of aliens , he obeys his own god, which is a deconstruction of religion. In the movie, he has no effect, but becomes a funny tool, which seems to reflect the author's general concept; the funny host has become The biggest highlight of the whole play, his neutral attire and dressing make him very strange and unforgettable. While playing witty, he also completed the theme of homosexuality and sexuality in the film, and at the same time, it is a reference to the future media. A discussion; the role of the female singer in appearance is rather abrupt, but it undoubtedly fulfills the possibility of a movie classic, because of the high-pitched music full of dolphin sounds, people have forgotten the movie after a few years, but this song has lasted for a long time. Not bad, at the same time, Luc Besson's use of music in this film is particularly worthy of recognition. With the dynamic music, the rhythm of the film is greatly accelerated. Of course, this also has to be edited by Director Lao, and at the same time adds to the film itself. There are logical loopholes and the fluency of absurd movies, and the movie is not dull from beginning to end... Postmodern is the biggest presentation of this movie. There is no single core protagonist in the movie. The positions of the hero and heroine are constantly exchanged. Of course, the background of patriarchy is still hidden, but in a sense, the establishment of the heroine as the core was still groundbreaking at the time. There was no real enemy in the movie, because the enemies that could be seen were all made as jokes. , and the invisible enemy certainly does not bring the slightest fear. The real opponent of the movie, as mentioned at the end, is a senior human being. This kind of exploratory questioning is cliché and shallow, but it conforms to the general rules of Hollywood... This The film is a spectacle and a postmodern presentation…

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