From the very beginning, the film has entered a world of espionage where the identities of the characters are full of mystery. Three of them are particularly interesting: the protagonist smashes a huge fish tank while escaping from a trendy cafe in Prague, which is not only unique but also symbolic (he falls into a sea world where big fish eat small fish); the protagonist sneaks back The CIA stealing of documents has become a classic; the film culminates with him lying on top of a train, with a tunnel in front and a helicopter chase in the back, a completely visual roller coaster effect. The second episode in 2000, directed by John Woo, has a typical Wu style, exaggerated and poetic; the plot moved to Australia, and the clues are far less complicated than the first episode. The love line is still the weak link.
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