Love this wonderful two-stage structure

Alta 2022-04-21 09:01:11

In the first half of the whole process, the male protagonist peeps at the blond beauty wandering around in daily life, and vaguely outlines the mysterious reincarnation mystery through the gauze. In the second half, the truth is suddenly revealed, the information is changed, and the heroine's perspective is instantly entered. Watching her weakly step into the thrilling and exciting double role, and then follow her step by step to destruction in the dangerous soundtrack, love is really a universal bond agent.

What I don't quite understand is the setting of another female character. I feel that there are some foreshadowings in the early stage, I thought there would be more scenes, but it went offline directly later.

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Extended Reading
  • Tia 2022-03-20 09:01:09

    Two and a half years later, the second brush of A + / can be regarded as a kind of "watching" desire anatomy exactly like "Night and Day", but this Xi Pang is cruel to the extreme compared with Hamaguchi. From this perspective, "Night and Day" revolutionized the way of viewing gender in "Victorius".

  • Deonte 2022-03-22 09:01:08

    After watching the turmoil, the movie 60 years ago can still bring this kind of experience, one of the best in film history. Full of dizziness, the interweaving of the virtual and the real, the truth in the second half is gradually revealed but becomes more and more illusory. The heroine turns from the real to the imaginary in love, and finally becomes the fake self, and also to her cause and effect. Karma, and the heroine's fateful reincarnation ending also echoes the sly scam of the first half of the grandmother's death at the age of 26.

Vertigo quotes

  • [first lines]

    Officer on rooftop: Give me your hand. Give me your hand.

  • Madeleine: [pointing to the margin of a cross-section of a Sequoia who had lived for over a thousand years] Here I was born, and there I died. It was only a moment for you; you took no notice.