Murdering for money is bad, and love is bad!

Anais 2022-04-23 07:01:08

Twenty-nine years old, I watched Hitchcock's first movie.

There are resources on the b station, just take a look and guess the plot while watching. What I originally guessed was that the female lead was a fake crazy, in order to deceive the male lead to achieve her own purpose. The final outcome is similar, but I didn't expect the heroine to be an accomplice to the murder.

All the way to sigh Madeleine is so beautiful! However, she had to be scolded first for making money and killing herself, and finally she fell from a building and died because she was in love and no longer ran away + self-inflicted.

The male protagonist is not very moral, and falls in love with the client's wife. Later, the real heroine who thought she looked like Madeleine changed her clothes and dressed like Madeleine. In this way, the heroine was still willing to take the risk of being with him (in love), which finally led to her flaws being exposed by men. The Lord finally pressed down upstairs to reveal the truth.

Therefore, it’s okay to seek money and kill, and it’s okay to be in love!

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Extended Reading
  • Vaughn 2022-03-25 09:01:05

    (If I saw half of this movie and found that there was no follow-up, and I was hovering in the dark mid-air with horror and unable to land for a long time, that must be the best reason for me to die.)→19.2.10, revisited after a lapse of four years . The dangerous aspect of film charm is the questioning and penetration of reality. The Phantom of the nun, who finally caused the tragedy, still has a precise counterpoint to Carlot's life experience in the text. But at the moment it appeared, Hitchcock hoped to use the most complete silence to guide us to the purest gaze-that is the unknown, the chaotic origin of drama and all emotions in the world. Describing it perfectly is the great soul of "Victorius". (For green, please refer to Weibo for the analysis of screenshots)

  • Glen 2021-10-20 19:01:07

    He combined the zoom with the moving lens to take a shot of a stairwell from top to bottom, successfully creating the dizzy psychological feeling of the protagonist's fear of heights. His method is to put the model of the stairwell on its side, the camera is aimed at the stairwell, and slowly push towards the model from a distance, and the zoom lens is initially at a telephoto (telephoto lens) and slowly stretched to a wide angle, which is required to be the size of the model. It must remain the same on the screen.

Vertigo quotes

  • [first lines]

    Officer on rooftop: Give me your hand. Give me your hand.

  • Madeleine: [pointing to the margin of a cross-section of a Sequoia who had lived for over a thousand years] Here I was born, and there I died. It was only a moment for you; you took no notice.