In fact, I have wanted to express the title since the beginning of Avengers 3, but it is really easy to take care of one another and lose the other in group portraits, so such a request feels too harsh. However, the expedition is a personal movie of Little Spider, but I do not feel that the creative team is treating it with heart. Any character in the expedition, including the protagonist Spider, just wrote the plot perfunctorily and filmed the movie perfunctorily.
The proof of perfunctory treatment is that the film simply doesn't know what to leave blank and what not to.
Personally, I think in the early stage of the movie, I probably wanted to express that Spider-Man avoided the identity of a superhero because of PTSD, but the script always felt a little worse.
Contrasting with the helpless look of Captain America looking around in Times Square in his personal film, the footage of the documentary, and the memory killing while playing sandbags, the audience can autonomously understand why the Captain America feels out of place in this era, and Iron Man 3 also Filming Iron Man's dream about Ultron allowed the audience to understand Tony's anxiety autonomously.
It's not that flashbacks and flashbacks are clever techniques, but they can indeed mobilize the audience's emotions. Even short-lived images are sometimes much more powerful than words in expressing emotions.
In the absence of such a careful plot, as an audience, I just passively accept the setting of Little Spider PTSD. After reading it, I just want to say that I understand the reasoning, but I feel almost emotionally.
Let's talk about the tribute scene in the movie. Most of the tributes are not ingenious. As if the creative team was afraid that the audience would not understand, they only used red circles and exclamation marks to express their respect for the generation with big pictures and bold words, which felt like it was too much.
The lines repeatedly emphasize the people's nostalgia for Tony, but there is no delicate emotional portrayal, but it seems deliberately sensational, and at the same time weakens the position of the absolute protagonist of the little spider.
These deliberate plots are not as moving as when the little spider was designing his own battle uniform, happy smiled after seeing a little shadow of Tony from him, and then played Tony's favorite music. Just a few short shots became the tears that I really felt in the whole film.
If you think about happy saying after putting on the music, "You know what, this is Tony's favorite music."
The film uses a lot of detail to shoot the scenery around the travel, rather than a quick shot of an iconic building and then immediately enter the main plot. If it weren't for advertising for tourism in various places, I couldn't understand the intention of such a shoot.
At the same time, the movie also uses a lot of space to describe the daily life that has nothing to do with the main plot, and the character creation of the little spider is optional, as if it is not a single-player movie with the little spider as the absolute protagonist.
The plot design of Ned and his girlfriend can be said to be inexplicable, it doesn't make any sense other than accompaniment, and it only makes the lengthy daily part more lengthy. Ned has also been completely reduced to a character with no features of passers-by, and even has the problem of duplication of character characteristics with an unreliable supporting role in Ant-Man who runs a train.
As for Little Spider's rival in love, I don't even know what the meaning of its existence is, because no matter how I look at it, Little Spider and MJ are two-way secret love, and it is not necessary for such characters to create conflicts. If you have to show the inconspicuous attributes of the little spider as a student, isn't it always enough to target the local tyrant classmates who are still broadcasting live broadcasts by Peter?
As for why Tony invented the glasses like the Vision Project in Captain America 2, is it contradictory to his character creation in Iron Man 3, why is Tony taking the blame again, why is the Al of the glasses so unintelligent, and the Spider 1's What's wrong with Al... These issues that Marvel has set up like this will not be discussed, and no one will be able to convince anyone.
Finally, from the perspective of fans, what I want to say is that I am really heartbroken for Little Spider and Tony. Tony has become a symbolic tear-jerking character, and holding it high is not the best way to deal with a character who has already retired, and it will consume fans' love for the character.
As a fan, it is even more heartbreaking for the disaster that Little Spider has encountered and the disaster that will be encountered in the future.
Peter is still an underage student in the plot, and the movie also uses a lot of space to describe the simple kindness of the little spider as a student.
However, the movie gave Little Spider an underage identity but refused to give him a story development that underage psychology could afford.
Whether it is Fu 3 or Fu 4, the mental and physical torture he has experienced has exceeded the psychological bottom line of a minor.
The damage that the expedition brought to his spirit was even more brutal. His kindness, selflessness and faith are trampled on in this film. Seeing his final battle with Myster, he listens to the last words of the Myster phantom but blocks the real Myster's bullet. Little Spider's look in anticipation of being deceived and betrayed is so heartbreaking.
Few characters in any previous Marvel movie have been so exploited for their inner goodness to be brutally betrayed by trusted characters. The final edited video of Mysterio's death was a stab in the heart of Spider-Man and myself as a viewer.
He grew up in a way that was too cruel to teenagers, with parts of the good memories turned into wounds that don't want to be recalled, with being deeply hurt, with the departure of a warm pure ego, with It is getting heavier and heavier to be burdened by some responsibilities that should not be borne by teenagers of this age.
I'm not blindly protecting the character.
When Tony faced the doubts of Ultron, faced the contradictions of the civil war, and faced the truth of the death of his parents, I was also heartbroken, but I understand that Tony is still Iron Man even if he takes off his armor, he can survive of. When Captain America faced the sense of separation from the times, the struggle with Hydra, and the battle with his long-lost friend, the Winter Soldier, I understood that he was Captain America who had experienced World War II, and he could overcome himself and solve the problem.
And after the little spider broke away from the first version of the painful encounter setting and became a teenager who can enjoy high school life, I hope that such a cruel future will come a little slower.
Finally, I attach a photo of visiting the exhibition of Avengers 4 in London to prove that I have true love for MCU and Super Heroes. I hope Marvel will cherish and treat every character I love well in the future.
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