If it weren't for the direct transmission of the words "Illusion is Real" in the play, I would have regarded this film as an emotional tragedy. In the end, the scene where the male and female protagonists embraced verifies the authenticity of this sentence.
Medieval yellowish tones and flowing water scenes always have a strong emotion hidden behind the picture. Or the surprise after meeting again, or the hidden irony, or the uncontrollable sadness, just make people immersed in it.
When the male protagonist himself incarnates an illusion, it is really difficult to distinguish between reality and illusion. Everything is derived from the careful conception of the male protagonist.
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