Although I feel that the plot of the whole drama is hasty, some logical clues are far-fetched, and even the acting skills of Dousen have not been released, but from the visual effect of the film, it is still: very shocking .
Closing down the mundane human world, the movie carves out the territory of mystical creatures on Earth.
The sky is closed there, so the magical light like the universe will fly at night.
I like that King Kong in the lens always moves from a towering blurred image from far to near. This way of expression makes me feel a kind of almost magical loneliness, and a sadness that transcends magic.
In the film's almost sweeping presentation of human expressions, what moves people's hearts is that King Kong's eyes still retain a very delicate and in-depth portrayal. Subtle emotions flowed from those twinkling pupils: anger, fortitude, king and god, and the melancholy and tenderness that could not be hidden when calmed down.
The island is its country.
The country is its mission to protect.
The indigenous people of the island have explained its bravery and its divinity with murals. And behind the divinity, there is sadness.
The demonized monitor lizard is a power struggle.
The reckless alien humans continue to open up the desecration of the unknown world until they are divided: hatred for King Kong, or protection; killing, or side by side.
In fact, it's just a black and white routine, but I'm in tears.
Because human nature is always in the blurred area of the transition between black and white, all positions, whether hated or moved, are left to be purely understood.
Just hatred, to end first.
The scene when King Kong salvaged the heroine from the water, even if he knew it was a movie full of brain holes, would make people believe that
pity and love are the real commonality of life.
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