When the audience is watching, there is always such a situation: why are the people in the play not like this, if it is like this, it will not be like this, everyone should understand what I mean! For example, in the end, why did Dracula, a birdman, choose to fight with the werewolf in melee combat? It obviously has the opportunity to open up a distance with Van Helsing, and even choose to flee temporarily, wait for the opportunity to fight again, and even shamelessly take advantage of the moon to hide. For a while, let him die first.
I don't know if the screenwriter and director thought of it, or if they thought of it but didn't know how to deal with it, I was really anxious for Dracula when I watched it.
For this, I imagined a plot: Dracula saw that Van Helsing was going to transform into him, and after a few rounds of confrontation, he found that he was lost, and he quickly took off. When the werewolf was stunned, it happened that "Strong Frankenstein" happened to see from the tower window, A brick hit the bat's wing, and the birdman fell to the ground with its broken wings. Fan Helsing covered him up with lightning speed, and opened his bloody mouth to aim at his throat for an intimate contact. (I am an ordinary person, laughing at me...)
It is gratifying that several female vampires repeatedly missed the opportunity to kill Anna in the silent chirping. You're going to kill someone better kill quickly, don't just stand there and talk. A highlight of the show!
Aside from these, if you are lazy when watching it, try to accept the story that the movie instills in you as passively as possible. It is still very beautiful, so I gave it four stars.
I wanted to write a short review, but I ended up writing a lot.
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