Therefore, in general, "" has a unique personality in terms of story, pictures, lens use, and music. The openness of its structure, themes, and time and space expands the infinite narrative space for the art of film. "" seems to be the continuation of Wong Kar-wai 's stories in "In the Mood for Love", "Days of Being Wild" , "Ashes of Time" and "Chongqing Forest", as well as the beginning of his subsequent stories.
Whether this Su Lizhen is the Su Lizhen in "In the Mood for Love", whether Tony Leung Chiu Wai or Zhou Muyun, in Wong Kar-wai's films, the characters are always entangled in the past and the present, the present and the future. Whether unintentionally or deliberately, the openness, ambiguity, and philosophical nature of Wong Kar-wai's films are also the charm of Wong's films.
