22 July evaluation action

2022-01-28 08:33
Working closely with editor William Goldenberg, Paul Greengrass gave 22 July a ruthless and ruthless quality; his insistence on seeking truth from facts also made reality invisible   .
The film is a sharp and transparent film about serious morality   .
The film is a movie about terrorist attacks, but it is not only responsible for describing a tragic disaster and the mutual support of human love like "Terrorist Attack on Boston", it also hides a lot of torture in the gap between stories and emotional catharsis , release slowly. The director completely abandoned the usual narrative mode of genre films, and instead used an extremely cold tone, using a two-line narrative to interweave Anders' performance in the police station and court, as well as the victim's difficult physical recovery. and the mental reconstruction process. These two clues became a spiritual confrontation, unfolding in their respective spaces, and then entangled in the final trial. The rhetoric of "they have guns, we have love" at the end of the film messes up the tension and icy temperament that the director tried to set up before, but to a certain extent it also happens to be a Nordic reality.  .
The emotional rhythm of the film is relaxed, it not only presents the explosion and shooting at a fast pace, but also gathers the victims' physical and mental recovery process. The director is extremely calm and objective when tracing the psychology of people related to emergencies, and depicts the healing process of the physical and mental trauma suffered by the survivors and the bereaved family members in a more detailed manner. He tried to present the impact of the same incident on all parties involved and their responses to emergencies from multiple perspectives, which vaguely revealed a stereotypical political correctness: promoting democracy and the legal system, emphasizing pluralism and showing inspirational plots, which inevitably made the audience look boring  .
Compared with films of the same subject matter, this film is handled much more appropriately. It not only focuses on the terrorist attack itself, but also focuses on how the whole country faces and solves this problem after the incident, and how the victims can embrace life again. , how terrorists face legal sanctions. The director only used half an hour to show the process of the terrorist attack. The narration is quite restrained, but he reproduces the scene of the attack with a high degree of reproduction in a nearly 100% way. Three-quarters of the content of the film revolves around how the state responds after the terrorist attack, what demands are made by terrorists, how victims can face life again, and how lawyers can demonstrate the rule of law. Still accurate and effective, showing how individuals and nations can recover from a terrorist attack  .
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Extended Reading
  • Foster 2022-03-26 09:01:14

    Compared with the demonstration power of the coherent editing of "Patriot's Day" and the protagonist's personal show pouring out of the air, "July 22" is emotionally controlled and the center of gravity is right, but it does not integrate the dividing line with the narrative. The steady handling of the rhythm of the plot continues to the end, involving a lot of elements and limited care. However, this kind of gentle and loose expression can better highlight the powerlessness and difficult predicament of European society when faced with such problems.

  • Emmitt 2022-03-23 09:03:27

    The hands are precise and steady without showing off skills, the emotions, breathing and motivation of the characters are carefully weaved, the music is properly supplemented to the emotions, and the narrative style is very solid. From the perspective of survivors, terrorists, and neutral systems, it runs three parallel lines, confronts extremes with hope, confronts evil with goodwill, and shows the position of terrorists with care, all of which add to its modern significance. Tragedy is vivid, hatred is gradually resolved, and life will always move forward.

22 July quotes

  • Geir Lippestad: You can't call the Prime Minister. And Norway isn't on trial. You are.

    Anders Behring Breivik: Are you sure about that?

  • Anders Behring Breivik: I'd do it all again if I could.

    Geir Lippestad: You didn't win, Anders. You failed.

    Anders Behring Breivik: There will be others to finish what I've started.

    Geir Lippestad: And we will beat you. My children and their children. They will beat you.

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