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The role played by Marcello Mastroiani is a writer in the earliest synopsis. Since Mastroia also played the role of a writer in another film, the director of the film modified the role played by Marcello Mastroia .
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The title "8½" corresponds to the total number of films directed by FeFe. However, this number is not precise. The film is exactly Fellini's eighth and fifth twelfth film .
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In the beginning, the director envisioned the end of the film as Guido met all the women in his life in the dining car of a train. However, when filming the trailer for the film, the director recruited 200 actors and used 7 cameras to film their parade, which became the end of the film .
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The movie that the protagonist Guido wanted to make but couldn’t make is "The Travel of Mastona"; and this movie is also a movie planned by FeFe, the director of "8½"; Rini is filming "Maas Daytona travel" to build the scene .
8½ behind the scenes gags
2022-04-19 08:01
Extended Reading
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Chaim 2022-04-21 09:02:06
The celebration of life ends naturally when the lights go out. Please accept this broken you and me.
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Lacey 2022-04-24 07:01:06
Rewatch. The psychological journey of the director who created the crisis, two clues, the reality part is the director's preparation for making a movie, the director's dream or surreal part is a supplement to the reality part, and there is often a seamless connection between the stream of consciousness. way to show. The realistic part also has a surreal sense of absurdity. For example, the audition part also has a circus performance. This expression has been continued in Fellini's films, so it is not surprising.
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Guido: Enough of symbolism and these escapist themes of purity and innocence.
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Guido: I thought my ideas were so clear. I wanted to make an honest film. No lies whatsoever. I thought I had something so simple to say. Something useful to everybody. A film to help bury forever all the dead things we carry around inside. Instead, it's me who lacks the courage to bury anything at all. Now I'm utterly confused, with this tower on my hands. I wonder why things turned out this way. Where did I lose my way? I really have nothing to say, but I want to say it anyway. Why don't those spirits of yours come to my aid? You always said they had lots of messages for me. Let them get to work.
Rossella: I've already told you: your attitude is all wrong. You're curious in a childish way. You want too many guarantees.
Guido: Fine, but what do they say?
Rossella: The same as always. They're very reasonable. They know you very well.
Guido: Well then?
Rossella: They say you're free, but you have to choose. And you don't have much time. You have to hurry.