This film can be regarded as the most proud work of Israeli beauty director Tatya Rosenner. She won the only two director awards for herself, and successfully landed in American theaters. Tatya Rosenner has a good figure and big eyes unique to Muslims. She was really beautiful when she was young, and now she is almost middle-aged. However, Tatiya is obviously not the kind of big-chested and mindless vase display. Before entering the film industry, she once participated in the Israel Defense Forces, studied medicine, and also went to France to study photography. After coming to New York, she entered New York University to study film and television, and then began her directing career. Tatya Rosenall specializes in animation directors, but her target audience is obviously not children who like cartoons. With her rich life experiences, Tadia Rosenner's films are always full of life philosophies, and they always tell profound stories in a dreamy way. This can't help but remind people of Maja Shatapi, who is also an Iranian female animation director. Her masterpiece "I grew up in Iran" also uses animation techniques to wrap serious themes. Perhaps it is Iran's recent prosperity and war that gave birth to the serious and relaxed style of their filmmakers.
However, in terms of technique, Tadia Rosenner is more complicated than Maja Shatapi. "I grew up in Iran" is nothing more than a black and white film, which is technically very cheap. However, this film is completely 3D, using stop-motion animation technology, which is a frame-by-frame physical shooting and post-production method. Tim Burton's Zombie Bride is one such animation. This kind of picture is of course not as realistic as Pixar's top film, but its simple style is very suitable for expressing the abstract theme and connotation of this film.
