Amadeus evaluation action

2021-10-18 09:27
"The Biography of Mozart" is the pinnacle of biopics, a sensational world-leading audio-visual enjoyment music film, a classic work with a profound insight into human nature.
"Mozart" is a rare movie, its almost perfect script, beautiful music, elegant images, extraordinary performances, dazzling directors, and fascinating stories all prove this.
The film "Mozart" uses flashbacks to show the bumpy life of the musical genius Mozart, and also shows the audience a human tragedy of "hate due to jealousy". The film eloquently speaks in Salieri's memories. He showed the audience a slutty Mozart, an informal Mozart and a talented Mozart.
"The Biography of Mozart" reflects the artistic innovation and imitation, the innocence and sophistication in life, the conflict between good and evil on the road of life, and reveals the sad fact that ignorance and lack of appreciation have killed genius in the history of human cultural development. The film reflects the crazy genius of Mozart through the perspective of court musician Salieri. Salieri was conscientious, but mediocre, and Mozart was very talented, but he didn't know how great he was. The jealous Salieri eventually killed Mozart, but on the other hand, he was the only person in the conservative Vienna music scene who could comprehend the essence of Mozart's works, and was Mozart's unique musical confidant. The two could have become Yu Boya and Zhong Ziqi in the West, but due to the jealousy of one party, both ended in tragedy. Jealousy, the most primitive gloomy psychology of mankind, has destroyed a good story that should have become a reality.
The film changed the tradition of portraying classical musicians as "perfect people" or "saints". It overturned the "golden movement" started by his wife after Mozart's death, and restored his imperfect life and perfect music. The contradiction between. This film won seven Oscars (57th) can be regarded as the biography of two musicians, in addition to Mozart, there is also his colleague Salieri. The film reflects Mozart's crazy genius through Salieri's perspective.
As a biographical film, the originality of the film is obvious. Generally speaking, biographies are the most difficult movie subject to break through in form. No matter how wonderful a person's life is, there is nothing more than a life-to-death narrative. Only the narrative structure of Mozart's Biography is unique and ingenious.  
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Extended Reading
  • Dangelo 2022-03-22 09:01:08

    Even though her husband was impoverished, mad and crazy, even if he betrayed his body, he still loved him without hesitation because he was Mozart. Even if this person is a hundred times more talented than himself, even if he hates him and gritted his teeth with hatred, but because of his talent, he still helps him indefinitely. Even if he is already in the doldrums, even if there is no one in the world to visit his music temple, but because he believes in himself, he still creates creations one after another. To say that God has given enough to be jealous of talents.

  • Evert 2022-04-24 07:01:02

    BJIFF19 86/100 Religious film, Wolfgang is a mirror, showing the flaws of human nature, the loss of belief, and the misreading of God. The era is not worthy of genius. Creation is free and unlimited, and it must be in conflict with the essence of the aristocratic class. The film should also be about censorship. In the face of censorship, Wolfgang directly retains the traces of deletions for the viewer to feel for themselves. . The ending is almost a spiritual thriller, and I know this kind of horror after being urged to write a paper. More than 90% of indoor or stage scenes make this film very suitable for stage play, so the NTlive version that is faithful to the original is also very good. In fact, it is very popular and humorous, and the three hours of the cut version passed quickly.

Amadeus quotes

  • Antonio Salieri: [to Father Vogel] That was Mozart. That! That giggling dirty-minded creature I had just seen, crawling on the floor!

  • Antonio Salieri: The restored third act was bold, brilliant. The fourth... was astounding.

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