In the film, the corners of the mouth are always slightly raised, and Audrey Tarto, who has a little elven temperament, perfectly interprets the role of Emily. The French director Jean-Pierre Gennet created a dream with his good fantasy style. In the sweet movie world, every frame seems to be a romantic postcard with a strong French flavor. ()
The film made the audience feel the filming techniques of French poetic realism in the 1930s. It uses digital technologies such as computer imaging, digital image processing (exaggerated anamorphic lenses in movies, etc.) and digital intermediate processes to successfully reproduce the poetic realist atmosphere of Paris, especially the courtyards, stairs and Old-fashioned interior decoration. "Angel Loves the Beautiful"'s unique shooting technique and fantastic color matching are important elements for its success, but its stunning soundtrack is also the key to the film's brilliance. Yang Tilson built a "spiritual Paris" with piano, violin, accordion, drums, and harmonica. The stunning film soundtrack is matched with the sometimes colorful, bright and sometimes quiet and elegant lens pictures, the fusion of the two is just right. ()
The film is like a fairy tale of a modern Cinderella. Paris under the lens is like the musical "Kiki" or "Dancing in the City of Flowers", a paradise that is brighter than postcards. Strange charm, rich imagination, and dreamy humor are its specialties. It turns the throbbing and longing of the girl into a charming picture. ()
The film is actually not a completely happy movie, it is full of melancholy sadness and bittersweet sentiment. It describes a group of lonely people who have difficulties in communication, their lives are broken and full of frustration. Under its strong fantasy color and wonderful imagination, it is a perspective and observation of real life and life of pain and happiness. Although Paris in the lens of Confucianism is ideal, it still has its realistic colors. Emily may be an idealized and stylized character, but every part of her is coming from every ordinary person in daily life, and she is right next to the audience.
