What's interesting about the movie is that in addition to traditional men that threaten women's autonomy, it also contains a contradictory and repulsive mentality among the same sex. So the charming and first-time Anna had to face her mother's moral admonition and a kind of suppression of fear of the youthful carcass. The originally very natural emotional desires have become a lingering feeling of guilt in the heart after being suppressed, but they always flow out through various methods in casual daily moments, and every move is full of complicated and inexplicable. Desire complex.
The director is obviously full of pessimism towards this kind of female situation. So after making a big circle, Anna returned to the mansion that suppressed her. When the masculine shadow and the self-personality were entangled, it was her indistinguishable hands that made her set her way. Such an outcome may still be regarded as a passive victory for Anna, at least she finally escaped the cycle of losing herself. But the last touch of lipstick on Anna's remains made a silent and powerful accusation against the stereotyped shackles imposed on women by the world.
