Army of Shadows evaluation action

2022-03-13 08:01
Jean-Pierre Grumbach combined his real experience in "L'Armee des Ombres", there are no heroes in the film, only ordinary people. And the ordinary people who survived the war more or less have a trace of immoral "blood". Melville shoots the film in a somber, serious, low-key, gloomy and restrained tone. After watching it, the audience suddenly realizes that the title "L'Armee des Ombres" is a great metaphor for life and history. In this film, the director stepped out of the gangster films he was good at, reflecting Melville's enthusiasm for documentary style when he was young, and presented a rather nihilistic story in a semi-documentary and semi-fictional way   .
As a revolutionary film, "L'Armee des Ombres" has opened up a third route in addition to rendering the heroism of the protagonist with a spirit of patriotism and taking the suspenseful espionage route under the shell of an underground party: no dramatic conflict, no dramatic conflict. Intricate suspense and entanglement, even like most of the director's films, there are not too many stages. In his iconic cold shot, the members of the resistance organization are presented to the audience in a more plain and helpless image. To say they were like wartime undergrounds, it would be better to say they were more like gangsters. Consider the film carefully. You will find a looming connection to the gangster film, where the traitor is the central proposition of "L'Armee des Ombres", and the film's well-known classic opening sequence, as well as the tragic death of the protagonist, are recurring themes of the gangster film. The revival of a gangster temperament in a film about the Resistance shows that Melville has no intention of glorifying or glorifying the Resistance from the very beginning that has contributed to the fight against fascism. Heroes in the eyes of the French people. More are just individuals with a color of helplessness and sadness. Between the righteousness of the nation and the survival of the country and the country, they become lonely souls who have been oppressed and sacrificed one by one. Only in the face of eternal death can one realize the value and meaning of self-existence   .
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Extended Reading
  • Mina 2022-03-24 09:03:48

    Melville is so tough no wonder he died so early

  • Justina 2022-03-23 09:03:28

    (5 stars in 20160316) Photographer Pierre Lhomme was still young at the time and had not taken important works. After "Shadow Army", he took Bresson's "Four Nights of a Dreamer", Erstache's "Four Nights" The Mother and the Whore, Avery's Maurice's Lover, Nutan's Rodin's Lover, etc. He said that after working with Mayville, he felt that he had truly become a photographer. Another older than him, Walter Wottitz, who was in charge of planes, ships and special effects photography, later filmed Mayville's "The Great Dawn". Although the tone design is consistent with the film, the lens scheduling is much inferior. . Demarsan's composition in this film and "Red Circle" is admirable. The film's structure is loose, and while each paragraph is interesting, the ideas that run through it are less perceptible, and of course, the title makes a good statement. The old man of "Silence of the Sea" also participated.

Army of Shadows quotes

  • Jean François Jardie: She said five minutes, but she'll wait a lifetime.

  • Philippe Gerbier: See you later, Comrade.

    Legrain: ...You're a communist?

    Philippe Gerbier: No. But I can still have comrades.

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