The film has a very good start. The opening is grand and everything is going smoothly. Even though its logical premises have been repeatedly shown thousands of times, the problem is that in the last third, it seems to return to a more traditional narrative trajectory. Non-existent ghosts, disappearances, and trauma are the explanations for everything, so this is not so much a bad movie as a wasted opportunity.
Here, Flanagan puts forward the argument that a child’s supernatural power marks a tragic event. The film has ambitious assumptions and a director with great potential, but behaves very clumsy and even sometimes dull and rhythmless; the whole film It can be seen as a mistake in the career of the producer. The film attracted the attention of the audience without any problems in the first half, but it quickly fell into the stereotype, gradually replacing the credibility provided by the supernatural premise.
The director tried to mix touching stories with suspense, but was lost in adding plots many times and seeking horror on the road of known genres.
