The plot in the film is carefully set up, giving the film its inherent connotation. The performances of several actors are also remarkable. In Max, there are several changes. The first is his knowledge of love. In the carnival in the Berlin underground nightclub, the director showed the audience naked sex. This is not necessarily a paradise of love, but at least a place of freedom for sex. Max is a seeker of sexual stimulation, but not necessarily a defender of love.
In the film, the two male protagonists' yearning and pursuit of freedom are very obvious. The plot of two of them "making love" is a powerful proof. They "touched" each other and "entered" each other with words, and under the surveillance of the Nazis, they could be freed spiritually. This is a kind of irony to the Nazis' acts of force. This behavior reflects their helplessness, but it makes the audience feel warm and caring. Especially after Max was forced to kill Rudy, the painful expression broke the audience's heart. The "making love" in the concentration camp also tested the actor's ability very much. Clive Owen and Lothaire Bluteau gave this scene an extraordinary tension.
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