The details of "Blood-stained Byzantium" are incredible. Even if time cannot destroy the face of vampires, they should always polish their minds so that they are not commensurate with their appearance. Almost all the works of vampires-including those with labels. Idol film and television-are all interpreted in this way, but the mother and daughter in the film maintain a high degree of consistency in their psychological and physical ages. To a certain extent, this does hinder the audience's in-depth experience, but if you blame it for improper choreography, you will inevitably miss it. To express the focus. The film abandons curious descriptions, grandiose ideas and arrogant love displays, and uses plain and surreal brushstrokes to uncover the cruel pictures of blood-sucking ethnic groups.
"Blood-stained Byzantium" is not the first movie about vampires released by director Neil Jordan. It was "Interview with the Vampire" in 1996, but it is a vampire film that is needed, poetic, elegant and full of run-down artistic sense.
The vampire in "Blood Byzantium" is also an image developed by a vampire with a dissolute and romantic temperament. The film is not perfect, but it is effective, surpassing all other vampire movies seen in 2013.
The film is not just bright colors and costumes, it is very good in every aspect of the vision. Director Neil Jordan knows where to place the camera, but unfortunately he has not been able to inject life into the film.
