Catch Me If You Can evaluation action

2021-10-13 18:32
The film started at a slower pace, and the back and forth of time and space made the audience eager to find out the truth have to concentrate on every detail. This may also be a way of structuring the film. Hollywood films generally grab the audience’s attention in the first few minutes and create an atmosphere as soon as possible to enter the theme. The beginning of the film seems to be a bit similar to soap operas and detective films.
The director Spielberg meaningfully set up two parallel and intertwined narrative clues of light and dark. The bizarre experience of Frank's swagger and deception constitutes the main line, and his willingness to cheat around to restore the broken family's mental journey has become a narrative dark line. If the film is classified as a humorous comedy, it is not unreasonable. The young Pian Pian tells lies, the method is simple, but the process is complicated and bizarre, it can be described as a comedy. However, Spielberg did not follow this one-way line to complete the audiovisual presentation. On the contrary, he deliberately emphasized the dark line that highlights the psychological portrayal of the young Frank. Therefore, in a sense, this is not a comedy in a pure sense. movie. Hanks infused Carl with a bit of wisdom and stupidity. This humanized exploration made Carl's image more substantial. His sympathy and tenderness for Frank made this game less cold and ruthless. How much It also gives the audience some aftertaste space to explore Frank's inner world.
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Extended Reading
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Catch Me If You Can quotes

  • Carl Hanratty: Well, would you like to hear me tell a joke?

    Earl Amdursky: Yeah. Yeah, we'd love to hear a joke from you.

    Carl Hanratty: Knock knock.

    Earl Amdursky: Who's there?

    Carl Hanratty: Go fuck yourselves.

  • Carl Hanratty: [Frank is making one last attempt to run by impersonating a pilot once again. Carl catches up with him at Dulles Airport] How'd you do it, Frank? How'd you pass the bar in Louisiana?

    Frank Abagnale, Jr.: [Frank continues to walk. Carl walks several paces behind] What are you doing here?

    Carl Hanratty: Listen...

    Frank Abagnale, Jr.: I'm sorry I put you through all this.

    Carl Hanratty: You go back to Europe, you're gonna die in Perpignan Prison. You try to run here in the States, we'll send you back to Atlanta for 50 years.

    Frank Abagnale, Jr.: I know that.

    Carl Hanratty: I spent four years trying to arrange your release. Had to convince my bosses at the FBI and the Attorney General of the United States you wouldn't run.

    Frank Abagnale, Jr.: Why'd you do it?

    Carl Hanratty: You're just a kid.

    Frank Abagnale, Jr.: I'm not your kid. You said you were going to Chicago.

    Carl Hanratty: My daughter can't see me this weekend. She's going skiing.

    Frank Abagnale, Jr.: You said she was four years old. You're lying.

    Carl Hanratty: She was four when I left. Now she's 15. My wife's been remarried for 11 years. I see Grace every now and again.

    Frank Abagnale, Jr.: I don't understand.

    Carl Hanratty: Sure you do. Sometimes, it's easier living the lie.

    [Frank stops, Carl catches up]

    Carl Hanratty: I'm going to let you fly tonight, Frank. I'm not even going to try to stop you. That's because I know you'll be back on Monday.

    Frank Abagnale, Jr.: Yeah? How do you know I'll come back?

    Carl Hanratty: Frank, look. Nobody's chasing you.

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