Chinatown Piercing lens

2021-10-20 17:21
When Kittis signed his contract with Mrs. Muwela, the shadow of the staff could be seen on the glass behind him.
The height-incline alarm used in police cars was widely used after the 1960s, and the low-incline alarm should be used in the 1930s.
The image inside the camera lens is upside-down, not as correct as seen. The director said that he used the wrong way to better see the picture, but the facts are not as he wanted.
In a scene in the old man’s house, a car made in the 1970s can be seen from the background.
When Kittis waited to meet Yeberton for the second time, he lit a cigarette, then walked into the office, and he took another sip. But when the two shook hands, Kittis' cigarette was gone.
After following Mrs. Muwela, Jack returned home and the phone rang. It was obvious that this could not be the ringtone of a 1937 phone. The voice on the phone is believable, but the ringtone is not possible until at least the 1960s.
There were something in Ida Sayson's wallet, and Kittis flipped through it to find a social security card, in the style of the 1970s in blue and red ink. The real style of 1937 should have only one color, and the shape is not like this.
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Extended Reading
  • Maia 2022-03-25 09:01:05

    [2] Most of the film is under the sun, but the dark night at the end of the film covers everything; the audience is no longer a bystander, but follows the protagonist into a pile of evidence, making inferences, a bit of a hard-line detective style. The film is extremely interactive and discussing.

  • Madalyn 2022-03-23 09:01:16

    8/10. Revisit. Character analysis: The worker who threw the affair photo at the beginning grabbed the blinds and wailed. Jack wore a decent white suit and took a bottle of wine from a pile of wine to comfort him. It shows that Jack pays attention to appearance, is sophisticated, and is more willing to welcome the rich. He listened to it from the barbershop. An erotic joke rushed back to the detective's story, and she didn't notice the subtle movements of the wealthy Evelyn's eyelids behind her, which created a sense of joy. City Hall: Discussions about herders driving sheep to destroy dam construction, using black humor to criticize the crime of monopolizing water sources. Narrative point of view: The use of some rearview mirrors, telescopes and camera lenses when tracking Murray. The image in the mirror itself is a distortion of all the facts in front of him. Jack is so old but his judgment is not absolutely correct. The assistant photographed the key to Murray's quarrel with his father-in-law. The clue was despised by Jack. At the end, the audience followed Jack's point of view, hoping that Evelyn would escape from her father's clutches. The police shot, Evelyn's car stopped and the horn honked, making her heart cold. Audiovisual performance: Yellow-brown as the main color implies a desert-like water-scarce city, and the conspiracy is arranged in the dark, such as Jack's visit to a nursing home, attacking a thug, and Evelyn concealing the secret of incest by going to bed.

Chinatown quotes

  • Evelyn Mulwray: Hollis seems to think you're an innocent man.

    Jake Gittes: Well, I've been accused of a lot of things before, Mrs. Mulwray, but never that.

  • Yelburton: My goodness, what happened to your nose?

    Jake Gittes: I cut myself shaving.

    Yelburton: You ought to be more careful. That must really smart.

    Jake Gittes: Only when I breathe.

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