Contempt evaluation action

Dominic 2022-03-25 09:01:20

89/100, I like too many points: the opening long shot and the cast and crew narration, the final shot rushing to the viewer, Fritz Lang playing himself, on the wall "Hartley", "As You Want", "Psycho" Poster, stepped building at a depressed angle. Godard's use of color on the color widescreen is too charming, or can be regarded as the forerunner of "Pierro the Madman". This time, there are more big scenes, the panning lens fully creates a sense of space, and the indoor scheduling is more superb. Godard's conscious self-reflection and textual multiple intertextuality. Love is false, but it is also indispensable.

Ocie 2022-03-21 09:03:15

Manipulate the symbols of sound and picture to express the title credit table, use the narration to read the abstract representation of the photographer and the staff in the movie and so on. The public image of a reflexive actor in the selection of actors has become the preset knowledge that movie audiences have to bring into the movie, so as to establish a certain kind of symbolic matrix logic before watching the movie. Many people say that Godard is a film essayist. In fact, he lacks the prose in pursuit of the third meaning, and is more like a film semiotician who is well versed in the construction of the image-sound semiotic system. The adaptation of Odyssey uses contemporary marriage to explain the relationship between husband and wife in ancient Greece, which in turn reacts to the fact that the film reality breaks apart the hero and heroine, that is, any understanding of the text is the understanding of reality, and it will even counteract the reality. A similar trip to Capri parallels the protagonist of the couple with Rossellini's trip to Italy while deviating from the latter, removing the historical sense brought by the ruins of Pompeii, and the rest of the scenery is like a symbol that loses its meaning. The presence of exaggerated and overwhelming background music is a satire of Hollywood. It's another irony that Lang, who rejected Goebbels' escape from Germany, ends up filming for an American dictatorship.