Damnation movie plot
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Domenick 2022-06-13 21:57:39
The temperament and charm are like Aki's restaurant-style love, but the story is the disintegration of Tal's destruction. In the opening scene, after pulling back the sky outside the window and changing the subjective perspective to a voyeuristic perspective, the camera has been in a restless state of wandering, highlighting the subject-object response between static characters, the picture is constantly being cut, and even making love is slow. The photography is beautiful, like being in the transparent world of the underwater world; black and white mirror images, God and civilians coexist and die.
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Jaylon 2022-06-13 19:42:23
Taking people out of the texture of things, and taking things out of the state of people, Beratar is a great director of realism. (The beard is not shaved at the beginning, but the texture of the earth is trimmed.) The long shot is most suitable for realism film, the natural depiction of the characters before they are in the camera, the characters only show their backs when they are in the camera, and the characters remain after they appear. The body as a pose, the rainy night, the temperament of despair. The proletarian's little bar.
Top cast
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Karrer: When you looked at me yesterday. I realized something. I realized that, between you and a world forever out of reach, there is a strange and empty tunnel. I don't know anyone else who knows that road. You're standing alone at the entrance to the tunnel because you know something I can't even put a name on, something deeper and more ruthless than I can ever understand. I realize that I can never get closer to that world. I can only long for it, because it is hidden by a light and warmth that I cannot bear. I have been able neither to believe in it nor to renounce it. Yesterday I realized I had made a fatal mistake. If I were to lose you, it would be the unforgivable end of me. Because I know nothing about that unnameable world. Since you are part of it, you mean the world to me. That can never change. Please don't repudiate me. Let me see you and I'll do anything for you. Kick me, spit at me and I'll return again and again for you to kick and spit at. Because you are right, you are ruthlessly right. And I really do love you.
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The Singer: [singing] Take it or leave it, this is what you're stuck with. You lose your words, yet you cannot go.