Death and the Maiden movie plot

2022-01-11 08:03
In a beach house in a South American country, Paulina Escobar was preparing for dinner when a storm was approaching. Paulina heard from the radio that her husband, Gerardo, had been appointed as the chairperson of a newly established committee whose mission was to investigate human rights violations committed by the former fascist dictatorship. At this time, there was a sudden power failure, Paulina lit the candles, dumped her husband's dinner, and brought her own dinner to the bedroom. She was not going to wait for her husband to eat together. Suddenly, there was a sound of cars from far and near, and Paulina quickly extinguished the candle and picked up a pistol. Paulina heard the husband thanking someone in the yard, followed by the sound of the car starting. Geraldo entered the house and explained to his wife that his car had a flat tire, and fortunately he got home in a neighbor's car. He told Paulina that he had not made up his mind about the committee. Paulina knew that her husband was lying to herself, because she had been an abused-a victim of the Nazis. Not long after Paulina and his wife went to bed, Paulina heard a car approaching, and then someone knocked on the door. Gerardo went to open the door. The neighbor Dr. Roberto Miranda, who had just helped out, came to deliver the scrap tires Gerardo had forgotten in his trunk. When the two men talked, they didn't notice that Paulina was already dressed, put her gun in her bag, quietly pushed the door out, and drove the doctor's car away. Gerardu found that his wife had disappeared suddenly, so he thought she had abandoned herself and ran away from home, and was very sad. He drank his sorrows, sighed and became drunk, and Dr. Miranda kindly persuaded him from the side. Paulina returned home after pushing the car down the cliff. She found Miranda lying on the sofa and sleeping soundly. She hit him on the head with a blunt object, knocked him out, and tied him to a chair. She also took off her panties and stuffed it into Doctor Miranda's mouth. She told Miranda that she had been abused and raped by a Nazi. She imitated the tone of the Nazis when they abused her. Her eyes were blindfolded and she couldn't see anything, but this tone made her believe that the person who tortured her back then was Miranda in front of her.
Paulina reminded Miranda how he had tortured her inhumanly while playing Schubert's "Death and the Maiden" for her. After speaking, Paulina also inserted a tape of "Death and the Maiden" found in Miranda's car into the recorder and played it. The music awakened Gerald, and he ran downstairs, seeing what was happening in front of him, and hurriedly released Miranda, but Paulina pointed a gun at him. Paulina said that based on her voice and smell, she was completely certain that Miranda was the demon doctor who raped and tortured her back then. Gerardo said that Paulina’s behavior was not much stronger than her abuser, so Paulina planned to conduct a fair trial against Miranda at home, and Gerardo would act as his defense attorney. At the beginning of the trial, Miranda defended herself. When Paulina was raped, he worked in the Barcelona hospital. He asked Gerardu to verify, but the phone line was disconnected at this time. Paulina finally agreed to let him go as long as Miranda pleaded guilty. She insisted that Gerardu admit that when she was raped, Gerardu had an affair upstairs, but she still defended his reputation. She recounted the details of her repeated rapes. The abuse she received reached a heinous level, but she has remained silent until today. Paulina gave a lot of details and made notes. She asked Miranda to sign. Gerardo threatened Miranda to do what Paulina said, and Miranda's "confession" was also recorded. Paulina accidentally revealed that she had destroyed Miranda's car and planned to throw him down the cliff. When she pushed Miranda to the cliff, Gerardo called Barcelona, ​​and Paulina was confirmed. On the edge of the cliff, Miranda confessed all her sins on her knees, Paulina was victorious, and she turned and raised her head to leave. A concert is going on, and Schubert’s "Death and the Maiden" is being played on stage. Paulina saw Miranda and her family sitting in the box, the melody of music echoed in the theater, they exchanged complicated eyes  .
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Extended Reading
  • Deshaun 2022-03-16 09:01:06

    In fact, I think the point is women’s paranoid demands on the so-called truth. Not only did she ask for the confession and confession of the abuser, it should be noted that she had not forgotten to ask her husband if she had loved another woman and had a relationship with her many times. This should be what she cares about the most. I was born and died for you. Do you want to die when you lie in the arms of others?

  • Enid 2022-03-28 09:01:08

    The story is a typical "three in one" mode, which takes place in a closed space on a desert island. There are only three characters in the whole film: a wife, a husband, and a suspect doctor. The wife represents the person who pursues a just result, but there are deficiencies in the trial procedure, because there are only the plaintiff, the defendant, and physical evidence at the scene. The whole narrative makes the audience follow her scrutiny, but in fact, this is one-sided. But in the end, she didn't position herself as someone who could judge other people's lives, she just wanted to prove that the prisoners could be brought under the law. The husband represents the judiciary. He just knows that innocents cannot be killed in vain, and only makes limited rational restrictions on passion. If it is said that this role represents the legal system, it is almost false. In the final verification, the doctor had an alibi, but at this point he dropped the appeal and instead admitted that he was the murderer. Is this really regretful, or is it tortured as a trick? Cinema's answer is open-ended. The whole film is a form of echoing, a dream and a fantasy of the wife. The ultimate torture behind it is: no matter how clear the justice seems to be, once the arbitration of due process is absent, the truth will always remain a mystery.

Death and the Maiden quotes

  • Gerardo Escobar: In a democracy, the midnight knock on the door can be friendly.

  • [first lines]

    Gerardo Escobar: Are you quite sure you won't come in?

    Dr. Roberto Miranda: No thanks, just want to get home after that.

    Gerardo Escobar: Yeah, me too. Look, I'm really sorry for all the trouble I put you to.

    Dr. Roberto Miranda: Yeah, no problem.

    Gerardo Escobar: Well if I can't persuade you, why don't you come over some time. Thanks again, goodbye.

    Gerardo Escobar: [returning again to the car] Ah, you now it's crazy, I never introduced myself. Gerardo Escobar.

    Dr. Roberto Miranda: Dr. Roberto Miranda.

    Gerardo Escobar: It's very nice to meet you. If you're ever passing...

    Dr. Roberto Miranda: Escobar? The lawyer?

    Gerardo Escobar: Yeah, that's right.

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