From 1902 to 1907, Арсе́ньев, who was then a captain of the 29th Musketeer Regiment of Siberia, began his first expedition in the Ussuri area. From 1908 to 1910, Арсе́ньев made a second inspection. During the two inspections, the local Hezhe hunter Dersu Uzala acted as a guide for him. During this period, Арсе́ньев and Dersu Uzala established a deep friendship. However, when Арсе́ньев came to Ussuri again, he heard the news of Dersu Uzala's murder. Later, Арсе́ньев organized his eight-year expedition diary into travel notes "Along Ussuri Territory" and "Dersu Uzala", which were published in 1921 and 1923. In 1926, the "Book Business" publishing house in Vladivostok published a collection of two books, titled "A Survey of the Sikhote Mountains from 1902 to 1906". Later, the Japanese translator Shiro Tanigawa translated it into Japanese and published it. Director Wind Man read the book in the 1940s. After he finished filming "Idiot" in 1951, he invited the Japanese left-wing playwright Eijiro Hisana to adapt it into a screenplay, but then Wind Man discovered that the background of the story was not available in Japan. Shooting, so the plan was stranded. In December 1971, Wind Man participated in the Moscow State Film Festival. The First Secretary of the Soviet Film Workers Association Kulzanov invited Wind Man to come to the Soviet Union to film a film. Wind Man immediately expressed his desire to shoot "Dersu Uzala", and the two parties reached an agreement. The agreement was written by Wind Man, then rewritten by Soviet dramatist Yuli Najibin, and finally negotiated and finalized by the two. The film cost 4 million U.S. dollars and was produced for four years, including two years of live shooting in the Soviet Union.
Dersu Uzala background creation
2022-01-11 08:02
Extended Reading
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Constantin 2022-03-25 09:01:15
8.8/10. ①As written in the introduction: the interracial friendship between the Russian officers who came to the Ussuri area for exploration and exploration in the early 20th century and the old Hezhe hunter Delsu Uzala, and the fact that Uzala was invited by the officers because of his poor archery skills. Unaccustomed to living in the city, he returned to nature (although he was eventually killed by a beast, but he was willing). ②Through the slow and restrained narrative/editing/performance rhythm combined with the beautiful deep-focus lens and the photography under the empty lens (especially in the natural passages) to render a quiet beauty. The use of natural elements and natural sounds (birdsong, water, hoofs, rain, campfire, snow, etc.) remains incisive. ③ In the scene, there are few close-up close-ups and most of them are medium and full-scale long-range scenes. This may be to make the picture more focused on showing the specific relationship between people and nature (because close-up close-ups emphasize the characters and ignore the environment), but the play ultimately focuses more on the two men The Lord's interracial friendship (and the characters of the two are not well-characterized), so it's actually a failure.
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Kasey 2022-03-26 09:01:10
4- Three or two years before and after the Russo-Japanese War: a primitive snow forest, two conflicting natures. Just walk and be proud of yourself, wind, water, fire... all things have a spirit. Ussuri's harsh winter and early autumn are so beautiful, how can one sit in a box? Abandon urbanism and stumble on non-cold weapons. Nature is ruthless, and it is human beings who are more cruel than nature. You are not a good person. The words are a little more tongue-in-cheek, and it is indeed Kurosawa Akira's style (such as fear, symbolism, struggle and other snake-footed emotions).
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Dersu Uzala: How can people live in a box?
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Dersu Uzala: Fire is people. When fire angry, taiga burn for many days. Fire get angry, it frightening. Water get angry, it frightening. Wind get angry, it frightening. Fire, water, wind - three mighty people.