In Rome in the first century AD, Encolpio and his classmate Ascilto were arguing over the ownership of the boy Gitone. They divided their belongings and planned to go their separate ways. The boy could choose who to follow, and he chose Ascilto. Encolpio, who had decided to commit suicide, survived a sudden earthquake. Following a series of adventures that took place on Encolpio, director Fellini used an almost comic style to present his fantasy life in ancient Rome to the audience, without criticizing or applauding the morality of the film. No wonder he made a statement before the filming that "Satiricon" will not be an ancient history film, but a science fiction film. The whole plot is fragmented, involving many customs of ancient Rome, especially the customs of morality, sexuality, diet and performance at that time, which can be called the "men and women of diet" in ancient Rome.
Fellini Satyricon movie plot
2022-03-13 08:01
Extended Reading
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Taurean 2022-03-25 09:01:23
I didn't read the introduction in advance, and I'm confused about the second part tonight... There is confusion about the myth or the fictional background of ancient Rome. What I see is the familiar composition from "The Sweetness of Life", and the colors in "Giulietta". The collocation can almost be related to a general theory: Fellini wants to use the movie to create a "god", which corresponds to the gradually "appearing devil" in the previous works Giulietta and Toby Dammit. The mask below, still referring to the mythical tauren) is precisely this surreal way of imaging, and these three films can also make a stage summary for Fellini's mental experience of indulging in this Tao (consider probably and his It is related to the experience of indulging in mysticism and taking drugs during that stage)
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Domenica 2022-03-15 09:01:11
Fellini is too absurd, absurd, absurd, absurd, absurd, Italian, and bizarre characters. Dressing and behavior are extremely uncomfortable, vulgar, violent, wanton imaginative, live drama director wants this effect no feelings
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Eumolpo: So many positions and certainly more to invent. Man makes daily progress. I think I've tried them all, although, old age has made me forget a few. No one can remember all the love he's given and received, not even the young. Do you, for example, remember everyone who's kissed your lips?
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Eumolpo: Listen, I have a friend here, uh, just between us, whose sceptre isn't working. He was quite proud of it, as you can understand.