Godzilla creative background

Corene 2022-03-26 09:01:10

The shadow of war and nuclear pollution

Eliza 2022-03-15 09:01:05

Emergency alerts often come in a deadlocked silence. The appearance of monsters suspends (or adds to) all possible melodramas. In other words, the collective anxiety of the 1950s aggregates into Godzilla. As far as the first part is concerned, "Brother" is more like the Japanese version of "The Birds". It is hard to imagine that the genre films of that period will use a lot of pen and ink to create a convincing, including the opening of the anthropological observation of the indigenous groups. The trauma of war caused the hidden ancient monsters to return. From the edge to the center (Tokyo), they were internalized as a totem of a community image in "King Kong vs. Godzilla", and the threatening objects became mudstones in the symbolic order. giant. The special photography, whether it is miniature special effects, or the portrayal of characters, comes from the secret origin of Propaganda ("National Policy Movies") in World War II. This leads to the existence of a certain degree of flatness in the characters. With the official appearance of Ra, the film began to fall apart. The sacrifice of Dr. Serizawa is more like a "Kamikaze" rewritten by a pacifist ideology, just as the latter used Bismarck to rewrite Ye Yinwen's book.