The movie uses close-up shots of his brother Nick, no music and no quick editing, which is very different from the style of shooting the robber brother in the middle. The resistance and acceptance of the cognitively impaired are linked end to end, and a series of desperate actions by the elder brother alone in the middle. In this way, two seemingly unrelated propositions are cleverly joined together and echoed end to end. The film is full of magenta tones, neon light shadows, experimental electronic music, and hand-held lenses. The director perfectly blends his own visual symbols and language style. "Good Time" is amazed by the director's control ability. While retaining the stylization, it can also control and coordinate the overall situation well, and even compress the duration to less than 100 minutes. In such a tense time, the director not only told a compact enough story, but also highly unified his own set of film language system
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The overall style of the film is rough, with frequent laughs, tight rhythm, and tense plot. The electronic music throughout the story is also unforgettable. The film focuses on the life dilemma of people on the margins of society, and it has a high degree of completion as a crime film.Reviewed by MovienetPhoenix.com
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