Hara-Kiri evaluation action
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Myrna 2022-03-24 09:02:11
Hashimoto Shinobu's script handling has always been long-winded and preachy, but the core is very exciting and can rise to the height of philosophy. The film's satirical reflection on the spirit of Bushido is very profound, adding different contexts from the perspective of different classes, which is very appealing to me, but unfortunately the overall rhythm is not well grasped. I think flashbacks are a lazy narrative method. It is too simple and rigid. Although the narrative is completed, it has a great impact on the rhythm. Hashimoto Shinobu likes to handle the script this way, which is the case with Rashomon. If the memory of the protagonist samurai is taken out as a second chapter, it can not only ensure the completeness of the belly-cutting scene, but also not actively express the relationship between the characters, but also establish the suspense of the relationship between the characters in the two chapters. Reason, after all revenge is the main goal, and it would be better if truth and reflection should be left to the audience
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Bobby 2022-03-25 09:01:10
The tragedy of Bushido + Tower of Babel. A: I am willing to accept the blame for the loss (Jungle Theory) B: Comparing the heart to the heart to be fair and just (the view of good and evil). Under the same set of game rules, the two passers-by are still guarding their own interpretations. After the long debate, they can only perform their own duties. It's not a bloody feud, but Jinyun's practice of attacking/preaching (ideological incision) to powerful groups in order to complain of being "suicided" is very thought-provoking. Actors and Toru Takemitsu don't like much.
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Hanshiro Tsugumo: When my master's house fell we immediately left the domain and moved to Edo. The streets of Edo were crowded with ronin - flotsam from the Battle of Sekigahara. In former times, other clans would have gladly taken in any ronin who'd earned a name for himself. But in an era no longer in need of warriors or horses, so peaceful that no wind even rustled the leaves on the trees, it was a constant struggle simply to find a meal. Indeed, it shames me to recall our miserable lives of these last eight or nine years.
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Hanshiro Tsugumo: Who can fathom the depths of another man's heart?