This film is the last of Oliver Stone's "1", and it is also the most peculiar in style. In this film, Oliver Stone casts aside the purely male and purely American perspective of the first two Vietnam War films and examines it from the opposite end of the spectrum. this war. Many viewers were worried that the film would destroy the overall style of "1" before the film was released, but after the film was released, the audience was surprised to find that the tolerant female perspective and the first two angry reflections constituted An inseparable whole
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This film indicting the disaster caused by the Vietnam War and its aftermath fully demonstrates the painful trauma to Vietnam, the United States, and human nature. The director uses rich camera angles, ingenious dynamic rhythms and complex and excellent scene scheduling to create the ultimate visual effect of Vietnam's idyllic scenery. The symphony's sense of depth, rich expressiveness and imagery also fit well. The director's persistent pursuit of truth and his persistence and expectation for peace and fraternity speak to the world with an audio-visual language that is extremely rebellious to tradition and a brand-new concept of film, which makes the audience not forget to think about the truth of the world while being astonished
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